Author: sharonwasteney@gmail.com

Moostake Two

Moostake Two

It Moost Be A Moostake 2 I knew a series of quilts would come out of a four month long trip through Canada, Alaska and the northwest lower 48. Per request for a “pattern” for the latest “Moostake”, I am sharing the process for the 

Every Leaf Speaks Bliss

Every Leaf Speaks Bliss

I have added a new workshop offering, Every Leaf Speaks Bliss, to the website, .  Check it out. The class would use vintage, hand dyed linens for the background and would only resemble the project pictured in the photo as it was done on hand painted 

It Moost Be A Moosetake

It Moost Be A Moosetake

A year ago we were in the thick of preparing for a four-month camping trip through the northwest including two months in Alaska. Commemorating the trip through fabric was on my mind. Collecting fabrics or designing quilts that reminded me of the trip or collecting row by row quilt kits from shops on the route was the question. Of course, I did all three! I took the collected patterns and kits and fabrics to our winter home but did little work on them as Texas projects emerged to take priority. Back home this spring and reflecting on the trip I have started pulling them out, one by one. First on the list was the moose pattern purchased in Juneau. A number of quotes came to mind as I planned the project: “It moost be a moosetake”(what I told my husband when I had the proposed fabrics spread out); “Time out for a brief moosage from our sponsors”; “Charmoose” (the fabric connection); and, of course, “Chocolate moose”. It couldn’t be traditional as nothing about the trip was traditional so it had to be done in funky, fun fabrics but all I had collected from the trip were Alaskan-themed batiks and lots of them. They could be the backing. What’s brighter and less moose-like than Kaffe Fasset, of course!! So the blocks are ready for decorative outline stitching which must be done in the most brilliant thread colors I have. Oh , this is going to be so much fun and therefore provides the incentive for getting busy to finish soon!

Marbling

Marbling

This winter I experimented with marbling small pieces of fabric. I loved the varied colors and designs that appeared without manipulating the surface or by manipulating it only slightly in a non-traditional way. I used 100% white PFD cotton. My next experiments are going to 

Wooden Spool Toys

Wooden Spool Toys

Recently a brief conversation at sew day about a use for empty spools led to those who collect wooden spools with or without thread and what , if anything , is done with them. I have a few but would not say they are something 

Mystery Quilt Week 4

Mystery Quilt Week 4

Week 4 of 4

“It’s A Mystery” Quilt Challenge by Sharon Wasteney, Something Stitched

Always use a ¼” seam allowance. Press seam allowances toward the solid.

Block E requires these pieces:

(2) 6 ½” x 21 ½”;

(1) 6 ½” x 9 ½”;

(1) 6 ½” x 6 ½”;

(4) 3 ½” x 3 ½” squares, one of each print numbered 1through 4.

 

Sew #1 print to #3 print, press seam to #3; sew #2 print to #4 print, press seam to #2. Join #1,3 to #2,4 forming a four patch block.

Sew 6 ½” x 9 ½” to left edge of four patch and 6 ½” square to the right edge.

Sew 6 ½” x 21 ½” to top and bottom of enhanced four patch block.

 

 

 

 

 

Finished size of Block E will be 21 ½” width and 18 ½” height.

Block F requires one each of these pieces:

(1) 3 ½” x 18 ½”;

(1) 6 ½” x 9 ½”;

(1) 9 ½” x 18 ½”,

(1) 3 ½” x 6 ½”;

(4) 3 ½” x 3 ½” squares, one of each print numbered 1 through 4.

 

Sew #2 print to #4 print, press seam to #4; sew #1 print to #3 print, press seam to #1. Join #2,4 to #1,3 forming a four patch block.

Sew 6 ½” x 9 ½” to left side of four patch block and 3 ½” x 6 ½” to the right side.

Sew 3 ½” x 18 ½” to top of enhanced four patch.

Sew 9 ½” x 18 ½” to bottom

 

 

 

 

 

Finished size of Block F will be 18 ½” width and 18 ½” height.

Sew block E to block F. Sew E/F to A/B/C/D piece.

You’re done!! I told you it was simple. I hope you enjoy thinking about how you might quilt this project. As with many modern designs it leaves a lot of negative space for stitching.

Prepare top to be quilted by layering backing, batting and top. Baste as desired and quilt as desired. I quilted mine with interlocking squares in various sizes corresponding with the sizes used in the top but it could also just use some vertical and horizontal lines with a heavier or decorative thread to stand out or hand stitch with big stitches in a contrasting thread. This is a great opportunity to let quilting take center stage.

 

 

Week Three of Four Mystery Quilt

Week Three of Four Mystery Quilt

Week 3 of 4 “It’s A Mystery” Quilt Challenge by Sharon Wasteney, Something Stitched Always use a ¼” seam allowance. Press seam allowances toward the solid.   Block C requires these pieces: (1) 3 ½” x 18 ½”; (1) 6 ½” x 9 ½”; (1) 

Rusted and Felted

Rusted and Felted

Today I will be joining a group of fiber arts enthusiasts at the Rockport Center for the Arts to share the rust dyeing technique. Coming from a farm background I am familiar with how equipment rusts if not taken care of. I remember greasing plow 

To Dye For

To Dye For

 

 

 

 

My morning and early afternoon was spent dyeing vintage linens and over dyeing other fabrics with a Texas friend. While she likes bright colors I tend to stick to the more grayed organic tones. I like to dye fabrics with someone who is my opposite in color choices because it compels me to pour those bright colors over my linens and enjoy the surprising results. I can’t think of any vintage linen I have dyed that I haven’t liked when I finally took it out of the dryer. They may not be as bright as I had hoped, they may have been brighter than I hoped, but they always have an amazing beauty that pleases my artistic muse and I seem to find a use for them. Because I like to make nature inspired art quilts I find I need those bright bits of color to make the project more interesting. Bright bits of color in friendships make my life more interesting as well.

Week Two of Four Mystery Quilt

Week Two of Four Mystery Quilt

Week 2 of 4 “It’s A Mystery” Quilt Challenge by Sharon Wasteney, Something Stitched Always use a ¼” seam allowance. Press seam allowances toward the solid.   Block A requires these pieces: (2) 6 ½” x 24 ½”; (1) 6 1/2″ x 6 1/2″; (1)